Wintjiya's work

[taixyz1992]

Wintjiya's work was included in a survey of the history of Papunya Tula painting hosted by Flinders University in the late 1990s. Reviewing the exhibition, Christine Nicholls remarked of Wintjiya's Watanuma that it was a germinal painting, with fine use of muted colour, and showed sensitivity to the relationships between objects and spaces represented in the work.[21] Likewise, Marina Strocchi has noted the contrast between some of the subtle colours used in batik and Wintjiya's characteristic painting palette, which is "almost exclusively stark white with black or red".[8] Hetti Perkins and Margie West have suggested that in paintings by Kintore women artists such as Wintjiya and Tjunkiya, "the viscosity of the painting's surface seems to mimic the generous application of body paint in women's ceremonies".[9]


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